font-design

2 posts

figma

Just Our Type: The Story of Creating Figma Sans | Figma Blog (opens in new tab)

Figma created Figma Sans as part of a broader brand refresh responding to its expanding audience and product ecosystem. Replacing Whyte, the new typeface was designed with Grilli Type to combine a distinctive, opinionated character with flexibility, legibility, and performance across many contexts. The process favored a bespoke solution over existing fonts and used exploratory concepts to define the final direction. ## A Typeface for an Expanding Brand - Figma’s visual identity was evolving across color, illustration, pattern, motion, and typography. - Its previous typeface, Whyte—with its distinctive inktrap variation—had served the brand since 2019. - The broader audience now included designers, developers, product managers, and newcomers, requiring a typeface that could communicate widely. - Figma sought a contemporary grotesque: a sans serif style that could support varied weights, optical sizes, and applications. ## Finding a Fresh Approach - The Brand Studio prioritized: - Flexibility across display and text use - Strong legibility - Effective performance in places such as the Help Center - A visual personality aligned with Figma’s new, more complex brand language - The team evaluated existing typefaces, including Marr Sans and Agipo, but found that none fully met the brief. - They chose to commission a custom typeface so the collaboration itself could help clarify Figma’s typographic needs. - Grilli Type was selected for its design expertise, narrative focus, and willingness to develop a concept rather than follow current trends or historical models. ## Defining an “Opinionated” Typeface - Grilli Type began by creating a mood board to identify the central tension in the brief. - “Opinionated” became a guiding idea: the typeface should feel confident, purposeful, and free of unnecessary decoration. - The design team explored references including: - Karl Gerstner’s work - 1920s German typography - Bell Centennial, designed for phone books by Matthew Carter - Two initial directions were presented: - A more straightforward approach with simplified forms - A more unconventional and expressive direction - Rather than choosing one option outright, Figma used the concepts to discuss the desired design space. - Feedback favored the simpler shapes of the first direction while incorporating some of the distinctive character of the second. Figma Sans emerged from treating typography as a central part of Figma’s evolving brand—not merely as a replacement font. Its recommended role is both expressive and practical: a recognizable voice for brand communication that remains readable and versatile throughout Figma’s products and content.

figma

Full-scale expression with Grilli Type | Figma Blog (opens in new tab)

Variable fonts let designers adjust weight, optical size, slant, and other typographic properties from a single file, making type more adaptable across screens and contexts. Thierry Blancpain of Grilli Type argues that they improve efficiency, designer–developer collaboration, accessibility, and expressive web design. Their adoption in tools such as Figma helps turn precise typographic intentions into practical code. ## Scaling Typography Across Contexts - Fonts can become less readable when scaled from mobile or business-card sizes to desktop or billboard sizes. - Designers often need careful kerning and tracking adjustments to preserve legibility and visual balance. - Supporting multiple weights and styles traditionally requires separate font files, increasing assets, code complexity, download size, and opportunities for error. ## The Efficiency of Variable Fonts - A variable font contains an entire type family in one file. - Designers can adjust several axes—such as weight, optical size, and slant—rather than selecting from fixed styles. - Variable fonts are increasingly a standard format, so support across tools is important for avoiding workarounds and inconsistent workflows. - Figma’s support allows designers to use the same capabilities during design that developers can later implement in code. ## Improving Designer–Developer Collaboration - Developers benefit from managing one font file instead of many individual assets. - A single file simplifies updates, keeps code cleaner, and reduces implementation friction. - Designers gain finer control over typography, including custom weights and optical sizing. - Blancpain notes that variable fonts are especially valuable when designers and developers work in separate roles, since the format creates a shared, more transferable design language. ## More Expressive and Dynamic Web Design - Variable fonts support animated and interactive typography, such as changing from regular to bold on hover. - Grilli Type’s GT Maru Mega demonstrates how expressive type can remain usable at small sizes through variable adjustments. - Blancpain expects the web to become increasingly dynamic, with motion and responsive typography replacing purely static experiences. - Typography can communicate mood and interaction—not merely deliver information. Variable fonts are recommended as both a practical production format and a creative medium. Their combination of smaller asset overhead, precise control, and animation potential makes them useful for modern responsive interfaces and richer web experiences.